Official Blog of City Sonic Toronto

PETER LYNCH is the director of Cyberman and Project Grizzly, one of the most successful Canadian documentaries of all time, and has a varied background in arts, multimedia, new media and music videos. He also once worked inside the Masonic Temple as an elevator operator, making him the perfect director to handle Lioness at the Concert Hall.

LL: Give us your “elevator ride” pitch: the concept for your film in three sentences or less.
PL: Three bats descend from Yonge Street upon the Concert Hall! Actually, on a real level it’s a story about the band Lioness conjuring their memories of the historic Concert Hall as a music venue and Masonic Temple. It’s about how rock ‘n’ roll and pagan worlds fit into their music.

LL: I understand you once worked inside the Masonic Temple yourself: What surprising thing did you learn about the building from this shoot?
PL: Well, we had no access inside the building. So not being able to film in there freed us up and we started bringing in archival material and Masonic imagery – we took a more mythological approach, not tied literally to the architecture. This was really exciting for me because it was my way of expressing their relationship to it. We took it beyond architecture into the realm of imagination.

LL: What’s the secret to making a film that looks good on both a mobile phone and big theatre screen?
PL: Not to under-estimate how much you really need a good story. The characters still need to be good storytellers with something to reveal. Then to make it graphic, but just because it must translate small doesn’t mean you should have all close-ups. In the long shots find something that registers. Everything must be fluid over time.

LL: This was your 4th City Sonic film. What would you say is your favourite thing about making films for this series?
PL: I would say the insight into the artists, to get to their personal stories and the emotional quality that musicians use to transform memory and space. The filmmakers were given the freedom to be bold and to play. More generally, being a Toronto boy it was a chance to combine two of my loves: music and Toronto.

Director Peter Lynch found a private collector who was willing to let us use their house to recreate the mystery that surrounds The Freemasons. Toronto’s Masonic Temple is no stranger to mystery and it’s what makes it so memorable to Lioness. Check out photos from our production shoot here where the band takes us on a candelabra tour.

There are new gatekeepers to the Masonic Temple these days, which is being used as studios for MTV Canada. But the mysterious aura surrounding the place can be found in shadows all up and down Yonge Street. So we waited until darkness fell and then sent them on a hunt for the ghosts of this building’s past…

There must be hundreds if not thousands of musicians with great memories of the Concert Hall (aka, the Masonic Temple). But when we met the mystical trio Lioness we knew is was a true perfect fit. All three members have a penchant for ritual and rock ‘n’ roll, with a very particular connection to magic. It’s a delight to have one of the city’s most exciting new artists takes us inside one of its oldest music venues.